The Lost Symbol Chapter 98-101

Section 98 Robert Langdon recovered awareness with a devastating migraine. Where am I? Any place he was, it was dull. Profound cavern dull, and completely quiet. He was lying on his back with his arms next to him. Confounded, he had a go at moving his fingers and toes, soothed to discover they moved unreservedly with no agony. What was the deal? Except for his cerebral pain and the significant obscurity, everything appeared to be pretty much ordinary. Nearly everything. Langdon acknowledged he was lying on a hard floor that felt uncommonly smooth, similar to a sheet of glass. More bizarre still, he could feel that the smooth surface was in direct contact with his uncovered tissue . . . shoulders, back, rear end, thighs, calves. Am I bare? Bewildered, he ran his hands over his body. Jesus! Where the hellfire are my garments? In the obscurity, the spider webs started to lift, and Langdon saw glimmers of memory . . . startling depictions . . . a dead CIA specialist . . . the essence of an inked mammoth . . . Langdon's head crushing into the floor. The pictures came quicker . . . also, presently he reviewed the nauseating picture of Katherine Solomon bound and choked on the lounge area floor. My God! Langdon sat straight as an arrow, and as he did, his temple crushed into something suspended just crawls above him. Agony detonated through his skull and he fell back, wavering close to obviousness. Lethargic, he came to up with his hands, grabbing in the dimness to discover the obstruction. What he discovered look bad to him. It appeared this present room's roof was not exactly a foot above him. What on the planet? As he spread his arms to his sides trying to turn over, both of his hands hit sidewalls. Reality currently occurred to him. Robert Langdon was not in a room by any means. I'm in a container! In the murkiness of his little, coffinlike compartment, Langdon started beating uncontrollably with his clench hand. He yelled again and again for help. The dread that grasped him extended with each passing moment until it was insufferable. I have been covered alive. The cover of Langdon's odd casket would not move, even with the full power of his arms and legs pushing upward in wild frenzy. The crate, from everything he could tell, was made of substantial fiberglass. Sealed shut. Soundproof. Lightproof. Departure verification. I will suffocate alone in this crate. He thought of the profound well into which he had fallen as a little fellow, and of the alarming night he spent stepping water alone in the obscurity of a no-limit pit. That injury had scarred Langdon's mind, troubling him with a staggering fear of encased spaces. This evening, covered alive, Robert Langdon was experiencing his definitive bad dream. Katherine Solomon trembled peacefully on the floor of Mal'akh's lounge area. The sharp wire around her wrists and lower legs had just cut into her, and the smallest developments appeared to be just to fix her bonds. The inked man had fiercely thumped Langdon oblivious and hauled his limp body over the floor alongside his calfskin pack and the stone pyramid. Where they had gone, Katherine had no clue. The operator who had went with them was dead. She had not heard a sound in numerous minutes, and she thought about whether the inked man and Langdon were as yet inside the house. She had been attempting to shout for help, however with each endeavor, the cloth in her mouth crawled back perilously nearer to her windpipe. Presently she felt moving toward strides on the floor, and she turned her head, daring to dream that somebody was coming to help. The huge outline of her captor emerged in the lobby. Katherine pulled back as she flashed on the picture of him remaining in her family home ten years sooner. He murdered my family. Presently he walked toward her. Langdon was no place to be seen. The man hunched down and grasped her around the midriff, raising her generally onto his shoulder. The wire cut into her wrists, and the cloth muted her quieted cries of torment. He conveyed her down the lobby toward the front room, where, prior today, both of them had smoothly tasted tea together. Where is he taking me?! He conveyed Katherine over the family room and halted straightforwardly before the enormous oil painting of the Three Graces that she had respected this evening. â€Å"You referenced you preferred this painting,† the man murmured, his lips essentially contacting her ear. â€Å"I'm happy. It might be the exact opposite wonderful thing you see.† With that, he connected and squeezed his palm into the correct side of the tremendous casing. To Katherine's stun, the painting pivoted into the divider, turning on a focal rotate like a spinning entryway. A shrouded entryway. Katherine attempted to wriggle free, however the man held her solidly, bringing her through the opening behind the canvas. As the Three Graces rotated shut behind them, she could see substantial protection on the rear of the canvas. Whatever sounds were made back here were evidently not intended to be heard by the outside world. The space behind the composition was confined, more like a passage than a room. The man conveyed her to the far side and opened an overwhelming entryway, bringing her through it onto a little arrival. Katherine wound up looking down a thin incline into a profound cellar. She attracted a breath to shout, yet the cloth was gagging her. The slope was steep and limited. The dividers on either side were made of concrete, inundated with a somewhat blue light that appeared to radiate from underneath. The air that floated up was warm and impactful, weighed down with a creepy mix of scents . . . the sharp nibble of synthetic concoctions, the smooth quiet of incense, the natural musk of human perspiration, and, swarming it each of the, a particular air of instinctive, creature dread. â€Å"Your science intrigued me,† the man murmured as they arrived at the base of the incline. â€Å"I trust mine intrigues you.† Section 99 CIA field specialist Turner Simkins hunkered in the dimness of Franklin Park and kept his watchful eye on Warren Bellamy. No one had taken the trap yet, yet it was still early. Simkins' handset signaled, and he enacted it, trusting one of his men had spotted something. Be that as it may, it was Sato. She had new data. Simkins tuned in and concurred with her anxiety. â€Å"Hold on,† he said. â€Å"I'll check whether I can get a visual.† He slithered through the hedges wherein he was stowing away and looked back toward the path from which he had entered the square. After some moving, he at last opened a sight line. Good lord. He was gazing at a structure that resembled an Old World mosque. Settled between two a lot bigger structures, the Moorish exterior was made of sparkling earthenware tile laid in mind boggling kaleidoscopic plans. Over the three huge entryways, two levels of lancet windows looked as though Arabian bowmen may show up and open fire in the event that anybody moved toward excluded. â€Å"I see it,† Simkins said. â€Å"Any activity?† â€Å"Nothing.† â€Å"Good. I need you to reposition and watch it cautiously. It's known as the Almas Shrine Temple, and it's the central station of a mysterious order.† Simkins had worked in the D.C. zone for quite a while however was inexperienced with this sanctuary or any antiquated supernatural request headquartered on Franklin Square. â€Å"This building,† Sato stated, â€Å"belongs to a gathering called the Ancient Arabic Order of Nobles of the Mystic Shrine.† â€Å"Never knew about them.† â€Å"I think you have,† Sato said. â€Å"They're an appendant body of the Masons, all the more ordinarily known as the Shriners.† Simkins shot a questionable look at the lavish structure. The Shriners? The folks who assemble clinics for kids? He could envision no â€Å"order† less dismal sounding than a club of donors who wore minimal red fezzes and walked in marches. All things being equal, Sato's interests were legitimate. â€Å"Ma'am, if our objective understands that this structure is in certainty 'The Order' on Franklin Square, he won't need the location. He'll basically sidestep the meet and go straightforwardly to the right location.† â€Å"My contemplations precisely. Watch out for the entrance.† â€Å"Yes, ma'am.† â€Å"Any word from Agent Hartmann in Kalorama Heights?† â€Å"No, ma'am. You requested that he telephone you directly.† â€Å"Well, he hasn't.† Odd, Simkins thought, checking his watch. He's past due. Section 100 Robert Langdon lay shuddering, stripped and alone in complete darkness. Deadened by dread, he was done beating or yelling. Rather, he had shut his eyes and was giving a valiant effort to control his pounding heart and his terrified relaxing. You are lying underneath a huge, evening time sky, he attempted to persuade himself. There is nothing above you except for miles of all the way open space. This quieting perception had been the main way he had figured out how to endure an ongoing stretch in an encased MRI machine . . . that and a triple portion of Valium. Today around evening time, notwithstanding, the perception was having no impact at all. The cloth in Katherine Solomon's mouth had moved in reverse and was everything except gagging her. Her captor had conveyed her down a limited slope and into a dim storm cellar passage. At the most distant finish of the lobby, she had witnessed a room lit with a spooky ruddy purple light, yet they'd never made it that far. The man had halted rather at a little side room, conveyed her inside, and put her on a wooden seat. He had put her down with her bound wrists behind the seat back so she was unable to move. Presently Katherine could feel the wire on her wrists cutting further into her substance. The torment scarcely enlisted close to the rising frenzy she was feeling over being not able to relax. The fabric in her mouth was slipping further into her throat, and she felt herself choking reflexively. Her vision began to burrow. Behind her, the inked man shut the room's solitary entryway and flipped on the light. Katherine's eyes were watering bountifully now, and she could no longer separate items in her quick environmental factors. Everything had become a haze. A contorted vision of vivid tissue showed up before her, and Katherine felt her eyes beginning to shudder as she wavered on the brin

Laertes to be cordial with everyone Essay Example for Free

Laertes to be warm with everybody Essay This line lets us know by and by that the man who listens all the more yet talks toning it down would be best prosperous and fruitful. He likewise advises Laertes to remain calm on the off chance that anybody censures him. Indeed, even here Shakespeare has utilized exemplification as he depicts ear and voice as things that can be given. At the point when he says take every keeps an eye on reproach he is advising Laertes to get out everybodys point of view yet not to voice his own with respect to anything. Shakespeare utilizes the words give and take wherever in this discourse. Polonius additionally says, Beware of access to a fight. This is a significant exercise for Laertes and for the peruser as well. It is essential to Laertes since he is leaving to a remote nation where he needs companions not foes. The word, be careful signs an admonition, which shows us the significance of the use of this word. The word, entrance implies beginning. It is significant it features the manner in which Shakespeare featured certain activities by utilizing progressively metaphorical language. He attempts to let us know and Laertes that it isn't not significant not to begin a squabble nor should anybody enter a fight. This can be contrasted with the following expression wherein he additionally advises Laertes to be welcoming with everybody. Polonius likewise requests that Laertes avoid the basic society when he says, Be thou natural, however in no way, shape or form revolting. This line implies that he ought to be acquainted with everyones propensities and contemplations however not be excessively well disposed. He is additionally attempting to advise Laertes to be wonderful with his dealings with individuals yet not to be excessively modest among average citizens. It is this virtue that we can just mostly acknowledge and learn. It is right that we ought to be charming in our managing individuals however the way that we ought not blend in with the average citizens isn't right. It gives us that the higher class of individuals in the Victorian period didn't regard or acknowledge the normal people as a piece of society. This is in certainty the main spot where we need to become familiar with the inverse. We ought to discover that it's anything but a disrespect to mix in with individuals who have less cash or less food. We can see that Shakespeare has utilized a solid word, indecent, in depicting the lower class of individuals. The utilization of this word shows us the sentiments of the nobles. It discloses to us how we should regard a wide range of individuals anyway poor they might be. It likewise adds to the exercise that on the off chance that he needs to avoid a wide range of squabbles and battles he ought to be warm and welcoming in his dealings with everybody. During the discourse Polonius likewise conveys the significance of sparing. This is communicated when he says, Costly thy propensity as thy handbag can purchase, But not communicated in extravagant; rich, not ostentatious For the attire oft declares man. In this line we come to get familiar with a significant exercise that is even significant in our day by day lives today. Polonius gives to his child not to wear any clothing that is costly, lavish showy gaudy. He ought to consistently be moderate sensible in his spending and just purchase things that are inside his cutoff points or that which his handbag can purchase. We see Shakespeare utilization of metaphorical language in this line as he exemplifies the tote to something that is fit for purchasing things. Anyway comprehend that Polonium likewise implied for his child to dress well For the clothing oft declares man as the statement connotes. Further in the discourse, Polonius additionally reveals to Laertes something that has gotten one of the most celebrated lines presently. Laertes is exhorted by his dad to be, neither a borrower nor a loan specialist is. This, obviously has a ton of virtue whether it be in the Victorian time or the cutting edge time. It gives us that Polonius advises Laertes to make preparations for exorbitant spending. He ought to never go through cash to a degree that he will be inside and out and should acquire cash. He ought not help anybody during their critical crossroads. This gives us that Polonius was to be sure a narrow minded character and furthermore attempts to advise his child to be so as well. In a manner he is respectable additionally in light of the fact that he lives inside the constraints of what he can purchase and confers this information to his child. This can be contrasted with the past exercise where he advises Laertes not to purchase extravagant or rich things in order to burn through the entirety of his riches. We can perceive how Shakespeare interfaces the two plans to appear just as they are the equivalent. The word, exorbitant, in the primary thought and the word, borrower in the following makes the affiliation. It is significant for us to understand the significance of riches in our lives as Shakespeare does and attempts to pass on this to us. He likewise attempts to show us the outcome when he says, For advance oft loses both itself and companion. This bit of information reveals to us exactly how one must mingle. It additionally gives us that getting or loaning cash can be tragic for a companionship. It is very evident that Shakespeare is attempting to pass on to us the significance of a decent kinship that isn't tormented by cash. Another exercise that Polonium provides for his child is-this most importantly: to thane own self be valid, and furthermore says that on the off chance that Laertes follows this, at that point he canst not then bogus to any man. This bit of intelligence is very significant in the public arena today. It is our still, small voice that we should reply to by the day's end and no one else. On the off chance that we are consistent with our inner voice, at that point we will be consistent with everybody around us. Here again Shakespeare weights on the way that we ought not lie, very in opposition to the supposition that he advances lying when Polonius informs Laertes to keep quiet regarding certain viewpoints. This genuinely shows the manner in which he has depicted his virtuoso. He figures out how to advise us to be political yet not to lie. The exercises gained from these talks apply to our regular day to day existence additionally as they feature how we should act and our virtues and heart likewise comes into question here. Both Laertes and Hamlet are cherishing children to their folks. Truth be told Laertes is a foil to Hamlet. Both are youngsters who have had their dads killed and both look for retribution. The distinction between them is that while Laertes is hot blooded , dynamic and looks for guaranteed retribution Hamlet thoroughly considers the ethical rightness and misleading quality of his activities yet the final product is the equivalent that by looking for vengeance, by assuming control over Gods equity and by trying to pulverize another human life both youngsters are executed . So what is Shakespeares message and exhortation to us? Not to look for vengeance? Not to bring the law into your hands anyway legitimized it might be? In any case, to retaliate for your dads passing and to devastate the killer of your dad, is it not the obligation of a child and a matter of respect? This is something that Shakespeare doesn't give an indisputable answer for. He leaves it to us, individuals of various social orders and various periods to settle on our decisions and choices dependent on our ethical guidelines and the customs and practices and shows of the general public that we have a place with. In any case, what Shakespeare appears to underline is that wrecking another human life whether legitimately or not will have its outcomes. Hamlet additionally investigates the topic of kinship and faithfulness. Among the several youngsters that Hamlet could have as his companions he sees that just Horatio is as trusted and esteemed. He has total confidence in Horatio. It is to Horatio alone that Hamlet trusts every one of his insider facts. Indeed, even on his arrival covertly from England in the wake of deceiving Rosencrantz and Guildenstern; it is to Horatio that Hamlet portrays the entire grouping of occasions. Toward the finish of the play when Hamlet lies kicking the bucket and Horatio demonstrates his steadfastness to his darling companion by planning to bite the dust with him I am more an antique Roman than a Dane. Heres some alcohol left. Hamlet lays upon him the obligation of demonstrating his injured innocence. He orders upon Horatio the sacrosanct errand of making the world mindful of why and how Hamlet reached meet his end If thou didst ever hold me in thy heart, Absent thee from felicity for a little while, And in this hash word draw thy breath in torment, To recount to my story. Conversely Hamlets kinship with Rosencrantz and Guildenstern are appeared as bogus and terrible. Rosencrantz and Guildenstern are youngsters who attempted to exploit their companionship for Hamlet. They ended up being Claudiuss spies and affirmed fellowship with Hamlet for self progression. Thus Hamlet when he found the idea of the message that they were conveying to the lord of England he subbed Claudiuss request with a phony one as per which it was told that Rosencrantz and Guildenstern be put to unexpected demise , Not shriving time permitted. Hamlet shows no lament or regret for his deed. Infact he pronounces they are not close to my inner voice. In this manner what Shakespeare is maybe attempting to encourage us is that valid and faithful companions are uncommon and valuable. They are to be esteemed and respected. For each obvious companion that we have we may have twofold the quantity of bogus companions who will plot our defeat on the off chance that it is furthering their potential benefit. Shakespeares message is hence is to be careful about such bogus companions. Hamlet likewise contains protracted talks on man and how he is inside and out the crown of creation. Shakespeare has utilized his abundance of graceful virtuoso and shows his fantastic authority over lovely articulations when he portrays the excellence of the earth and man as a flawless bit of craftsmanship. Taking a gander at the ritzy sky he waxes idyllic. He calls the sky This most fantastic shade, Brave oerhanging atmosphere, This grandly rooftop worried with brilliant fire. Man itself is a bit of work that will be respected and acknowledged. Hamlet is loaded with profound respect of this perfect making of nature and shouts What a bit of work is a man, how honorable in reason, how boundless in resources, in structure, and moving how express and excellent, in real life how like and edge , in misgiving how like a divine being. Later in a conversation with Horatio Hamlet discusses who is a perfect man. As indicated by him the ideal man is in whom enthusiasm and reason are so well co interfered that they are not a funnel for fortunes finger to sound what stop she please. Hamlet consi

Chem Notes Igcse

Goliath Covalent Structures There are 2 instances of Giant covalent structures: Diamond Graphite They are bothâ allotropesâ of carbon, which means they areâ both differentâ types of the physicalâ form of Carbon. Jewel Structure: Giant covalentâ latticeâ of carbon molecules. Every Carbon particle is clung to 4 others which tetrahedrally encompass the molecule. They have aâ high dissolving pointâ as a lot of warmth vitality is expected to break their bonds. They areâ unableâ to direct power as they have no free mobileâ electrons to convey the current.Diamond is veryâ hardâ as there are numerous bonds inside the substance. It is the hardest normal substance and is frequently utilized in penetrating. Graphite Structure: Arranged inâ layersâ of molecules. Every carbon particle is joined to 3 others, leaving one external shell electron on every carbon is allowed to move and ready to cary the current. Thusly, they can direct power. Graphite likewise has a high softening point for indistinguishable reasons from jewel. In any case, it isn't hard similar to precious stone yet in certainty extremely delicate. There are feeble powers betweenâ theâ layers of atoms.They are ready to slide over one another and subsequently ready to go about as an oil. Covalent Bonding Definition: When a molecule shares at least one sets of electrons between iotas to get the electronic arrangement of a respectable gas. Covalent bonds show up inâ non-metalsâ and createâ molecules. They can even show up in molecules of the equivalent element, H2. Molecule: Two or more atomsâ chemicallyâ bonded together. The covalently fortified iotas are held together byâ strong attractionâ between theâ bonding pair of electronsâ and theâ nucleiâ of the atoms.Covalent bonds can be characterized intoâ twoâ groups:â simple molecularâ structures  giant covalentâ structures Simple sub-atomic Structures: They have low liquefying/breaking points dueâ to the reality thatâ thereâ areâ weakâ intermolecular powers of fascination. Despite the fact that, they do have solid covalent bonds. Along these lines, they need less warmth vitality to survive and break the feeble bonds. Some substancesâ sumblimeâ under warming. I. e. They divert legitimately into a gas from a strong. Mammoth sub-atomic Structures: See post on goliath Molecular structures , Ionic BondingDefinition: The move of at least one electrons between 1 iota to another Why? To acquire the electronic setup of a respectable gas. Thisâ is in light of the fact that respectable gases are latent/lifeless. In the event that an atomâ losesâ an electron, at that point the particle will frame aâ positiveâ ion. This is on the grounds that there are presently a bigger number of protons than electrons in the iota. In the event that an atomâ gainsâ an electron, the particle structures aâ negativeâ ion as there are presently a greater number of electrons than protons in the iota. Theâ chargeâ of a particle is identified with where the element’s position is in the occasional table.

Adding and Subtracting Fractions - Free Essay Example

Adding subtracting fractions 1. Where in life is this useful? a) Cooking: [pic] b) Measurements (construction, remodeling, etc): [pic] c) Time: [pic] d) Money: [pic] 2. Fractions with the same (â€Å"common†) denominators Example: (without converting back forth from mixed numbers): [pic] [pic] 3. Fractions with different denominators In order to add (or subtract) fractions with different denominators (as a reminder, that’s the bottom number), you’ll need to convert them to have the same denominators. This is one place where we get to use the â€Å"least common multiple† that we talked about a while ago. Let’s start with money, because we all do that conversion frequently, and without thinking about what we’re doing. If we add a quarter a nickel, we know off the top of our head that we have 30 cents, or 30/100 of a dollar. But what is the math that we’re doing? [pic] First, we need to convert to a common denominator. For money, ra ther than worrying about the lowest common denominator, we automatically convert to hundredths. We do that by multiplying by one in the form of a fraction: [pic]. We can do this because multiplying a number by 1 does not change its value. So, we now have: [pic]. All we’ve done is converted the quarter to 25 cents and the nickel to 5 cents. From this point, we can add them: [pic]. We don’t give much thought to all these steps that we go through, but as soon as it is phrased as â€Å"adding fractions†, it seems to get much harder! Now, let’s try a more abstract case. For no particular reason, we need to add 1/3 to 1/4. The LCM for 3 4 is 12 (if you get stuck finding the LCM, and don’t mind dealing with larger numbers, you can multiply the denominators and reduce your answer at the end). So: [pic]. With a little practice, you’ll be able to skip writing the second step the next to last step. Let’s work through one more example pro blem, where the lowest common denominator isn’t simply found my multiplying the numbers together: [pic]. The LCM of 3, 6 2 is 6, so we want to convert everything to sixths: [pic] [pic]. That can be reduced to [pic] or [pic]

The Power Struggle at the Occidental Child Development Essay

The Power Struggle at the Occidental Child Development I have conducted ethnographic research at the Occidental Child Development Center where I have spent many hours participating and observing with the children of the center. I am not an outsider to this center, because I have been working with this particular bunch of children for a year, so I am well accepted when I asked to join in the games with the children. The center has a total 45 preschool students aging from 2-5 years old and seven staff members and five student workers. Throughout my research the director, teachers, and my fellow student workers accompanied me at all times, however I have not included all 45 children and all eight staff members. I have narrowed my†¦show more content†¦The staff has an understanding that timing is crucial in a young child’s life, a child will not retain information after a certain age, so it is important to address issues when they are detected rather than wait and cause more problems later on down the line. The structure d daily routines are generally the same unless it is a holiday or a day to celebrate birthdays, so I will not include any of these special events. Curriculum The Occidental Child Development Center shares the concern with other preschools in the United States to successfully socialize children to prepare them for further schooling, however this center is unique with a liberal curriculum. I point this out to clarify to the reader that the program and structure of this institution is extraordinary and is not common of all preschools. The center is concerned with providing a good stable foundation for the children to build from with a family oriented environment, committed to serving on a non-discriminatory basis, providing equal treatment and access to their services without regard to race, color, religious affiliation, or physically challenged status. This curriculum was validated by my interview with the center director. In the interview she explained how she formulated the curriculum to incorporate games and activities to academics that she believes gives children the foundation they need to continue successfully in life. She contin ued to say that the curriculum is built from theShow MoreRelatedCauses of Mass Failure in English Language in Some Schools3792 Words   |  16 Pagestheir progress and advancement. The more the people of societies are Educated, the more they are civilized and well disciplined. It is a fact –universally recognized, that Education is the prime key to moral, cultural, political and socio-economic development of a nation. Islam being a revolutionary faith made it obligatory on every man and woman to acquire knowledge and exerted them undertake long and tedious journey to distant land in search of it. Emphasizing the importance of Education and learningRead More20 Century Genius Award Essay example3442 Words   |  14 Pageshistorian, best-selling author, actress, playwright, civil-rights activist, producer and director, she continues to travel the world, spreading her legendary wisdom. Within the rhythm of her poetry and elegance of her prose lies Angelous unique power to help readers of every orientation span the lines of race and Angelou captivates audiences through the vigor and sheer beauty of her words and lyrics. (Dr. Maya Angelou, The Official Website,  © 2003) A brief synopsis of the life and time of DrRead MoreOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 Pagesdetermining beginnings and endings that accord with major shifts in political and socioeconomic circumstances and dynamics rather than standard but arbitrary chronological break points. In the decades that followed the Great War, the victorious European powers appeared to have restored, even expanded, their global political and economic preeminence only to see it eclipsed by the emergence of the Soviet and U.S. superpowers on their periphery and a second round of even more devastating global conflict.Read MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 PagesPerception and Individual Decision Making 165 Motivation Concepts 201 Motivation: From Concepts to Applications 239 3 The Group 9 10 11 12 13 14 15 Foundations of Group Behavior 271 Understanding Work Teams 307 Communication 335 Leadership 367 Power and Politics 411 Conflict and Negotiation 445 Foundations of Organization Structure 479 v vi BRIEF CONTENTS 4 The Organization System 16 Organizational Culture 511 17 Human Resource Policies and Practices 543 18 Organizational ChangeRead MoreFundamentals of Hrm263904 Words   |  1056 PagesL. Verhulst Des Moines Area Community College Ankeny, IA John Wiley Sons, Inc. Associate Publisher Executive Editor Senior Editoral Assistant Marketing Manager Marketing Assistant Production Manager Senior Production Editor Freelance Development Editor Senior Designer Interior Design Senior Media Editor Senior Photo Editor Production Management Cover Design Cover Credit George Hoffman Lise Johnson Sarah Vernon Amy Scholz Laura Finley Dorothy Sinclair Sandra Dumas Susan McLaughlin Kevin

Entertainment and Arts Marketing Assignment Example

Essays on Entertainment and Arts Marketing Assignment The paper "Entertainment and Arts Marketing" is a worthy example of a marketing assignment. Global marketing is an imperative venture for any organization that seeks to appeal to a wider market in the twenty-first century. Art exhibition business has important features such as location, hospitality techniques, contents arrangement and product features that either affects the business positively or negatively. Art exhibitions business has been going through various issues that need to be taken note of by marketers therein. (Baker, 2000)IntroductionSince the onset of the nineteenth century, there has been a remarkable acceleration of globalization in developed and developing nations. This has been precipitated by significant changes such as improved information technology. Many organizations or businesses no longer look at the national market but seek to reach out to the wider population in other nations. (Blythe, 2001)In order to achieve this goal, global marketing is inevitable. This paper, therefore, expounds on an issue in entertainment and arts marketing. This includes an overall review of the situation. There is also the elaboration of key areas as pertains to entertainment and arts. Finally, the paper illustrates the resultant implications for marketers.Review of the current situationArt exhibitions are places where different artifacts are flaunted to be viewed by interested parties. These could include pieces of sculptures, drawings, antiquity, clothing, pictures or even music. This is sometimes displayed in art galleries, museums and art clubs among other places. (Cinchona and Ronkainen, 2005)An overall analysis of the art exhibition industry shows that it is facing some challenges. One aspect that is quite evident in this business is that its marketing strategies are not at par with global marketing expectations. There are various channels that businesses that are expected to reach out to the global market are supposed to use in order to appeal to a wid er market. (Dale, 2006)This has not been effectively utilized. The majority of art exhibitions in the United States are known to use advertisement channels that are not quite global in nature. For instance, many of the museums are rarely advertised on global television channels. This is a problem that needs to be thoroughly looked into if the business is to experience success in a tough global economy. Unlike other business sectors, this arts and entertainment sector is somehow slow in reaching out to customers from different nations to purchase and even view different antiques. (Baker, 2000)Museums and other art exhibitions do not invest a lot of financial resources in carrying out online marketing. This is a very viable and up to date channel that is reaching many people and one that improves any business’s customer base. Price is a very important component of any marketing. (Lancaster and Massingham, 1999)This can be used to attract customers. Art galleries are not using t his component to market their services and products.

Eaters Of The Dead (1280 words) Essay Example For Students

Eaters Of The Dead (1280 words) Essay Eaters Of The DeadEaters of the Dead â€Å"Eaters of the Dead† by Michael Crichton is a fiction but with historical background. Through this piece Crichton hopes to express the way of life for the Vikings in the year 922 AD while at the same time creating an entertaining story. Using a manuscript written by Ibn-Fadlan Crichton pieced together a book filled with adventure and excitement. Michael Crichton was born in Chicago, 1942 and always knew he had a talent for writing. He attended Brown University and has since published many books such as â€Å"Jurassic Park†, â€Å"The Rising Sun†, â€Å"Disclosure†, and many more. Several of his books have been made into movies, for example, â€Å"Jurassic Park†, â€Å"The Lost World†, â€Å"Sphere†, â€Å"Congo†, and â€Å"Eaters of the Dead† is coming to theatres this summer starring Antonio Banderas. Michael Crichton is also the writer of the hit TV show â€Å"ER†. Ibn-Fadlan is a refined Arab courtier representing the powerful Caliph of Baghdad and the whole story line is based on his travels. He is a Muslim and is sent to the Bulgar land to instruct the king in the Islamic religion, acquaint the king with Islamic laws, and build a Mosque in the city. Little does Ibn-Fadlan know where his travels will lead him. Wyglif is the present chief of the Northmen (at the time) he has fallen ill and is believed to have no chance of recovery. Once he dies, shortly after becoming ill, Buliwyf is made the new leader. Buliwyf is a young noble chosen to be the Northmens new leader once Wyglif dies. He is a courageous warrior, very tall and strong, and skin, hair, and beard of pure white. Herger, one of the Northmen warriors, also became Ibn-Fadlan’s friend. He helped him to translate the words of the Northmen and also helped Ibn-Fadlan become accustomed to their way of life and how to act around the Northmen. â€Å"The Wendols† are characters in the story who, as told by Ibn-Fadlan, do not seem fully human. They ride on the back of a black horse and have the head of a bear. They are extremely fierce warriors and are quite vindictive. They give off a stench so strong it hurts to breathe because they consume human flesh and it is always on their breath. They come with the mist, a dark fog that encircles the land when the Wendols come. Mother Wendol is the leader of the wendols and said to be extremely old. To finally beat the Wendols, one must kill her. She lives in the cave by the sea surrounded by coiled serpents all the time. She makes an almost painful sound when she screams and smells the worst of them all. Ibn-Fadlan is an Ambassador to the Caliph of Baghdad and has been sent to teach the King of Bulgar the Islamic way of life, and to build a Mosque in the city. On his way to Bulgar, he stops with his party in the land of the Northmen. Being extremely hospitable people they welcome the Arabs to their homes and provide them with food, clothing, and shelter for a few nights. As it so happens, their chief is very ill and while they are there, he dies. The Northmen will not let the Arabs leave their land until after the funeral and ceremonies. During this long process, kin of the new leader arrives and asks for the Northmens help in defeating the Wendols. According to the Angel of Death, an old woman said to have magical powers, thirteen warriors must go to the land of the wendol, one of them not being a Northmen. Buliwyf, the chief of the Northmen demands Ibn-Fadlan to accompany the men in their battle and become the thirteenth warrior. He will not take no for an answer, and so, Ibn-Fadlan’s journey begins. .u99d57aaaa3ce4ec78253d8028f984622 , .u99d57aaaa3ce4ec78253d8028f984622 .postImageUrl , .u99d57aaaa3ce4ec78253d8028f984622 .centered-text-area { min-height: 80px; position: relative; } .u99d57aaaa3ce4ec78253d8028f984622 , .u99d57aaaa3ce4ec78253d8028f984622:hover , .u99d57aaaa3ce4ec78253d8028f984622:visited , .u99d57aaaa3ce4ec78253d8028f984622:active { border:0!important; } .u99d57aaaa3ce4ec78253d8028f984622 .clearfix:after { content: ""; display: table; clear: both; } .u99d57aaaa3ce4ec78253d8028f984622 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u99d57aaaa3ce4ec78253d8028f984622:active , .u99d57aaaa3ce4ec78253d8028f984622:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u99d57aaaa3ce4ec78253d8028f984622 .centered-text-area { width: 100%; position: relative ; } .u99d57aaaa3ce4ec78253d8028f984622 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u99d57aaaa3ce4ec78253d8028f984622 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u99d57aaaa3ce4ec78253d8028f984622 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u99d57aaaa3ce4ec78253d8028f984622:hover .ctaButton { background-color: #34495E!important; } .u99d57aaaa3ce4ec78253d8028f984622 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u99d57aaaa3ce4ec78253d8028f984622 .u99d57aaaa3ce4ec78253d8028f984622-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u99d57aaaa3ce4ec78253d8028f984622:after { content: ""; display: block; clear: both; } READ: Miss Brill Essay Twelve other warriors accompanied Ibn, Buliwyf, Ecthgow, Higlak, Skeld, Weath, Roneth, Halga, Helfdane, Edgtho, Rethel, Haltaf, and Herger. With them, Ibn traveled across the oceans and fought many battles. Ibn learned their culture, way of life, and their language. He formed many friendships and gained a new perspective on life. Though there were many difficult tasks to accomplish but Ibn managed well and didn’t realize what he was really in for. Warned many times about the wendols Ibn shrugged it off. He didn’t realize the severity of the situation he was in. They fought the wendol several times, only killing off a few and pushing the surviving wendol to want revenge. After being beaten badly, Buliwyf announced their new plan, to attack the wendol at their core, Mother Wendol. They would go to the cliff above the cave and climb down, taking the back entrance in. From there they would attack the wendol when they least expected it and hopefully kill their leader. Upon arrival at the cliff, Ibn knew he was in for something extreme, just climbing down the cliff was something he thought would bring him to his death. One by one, the Northmen went down the cliff, with only the rocky shore below. Finally they reached the cave and attacked. After many wendol had been killed, Buliwyf went for the mother wendol. He stabbed her many times, all the while Ibn fought off the other wendols. No matter how many times she was stabbed, mother wendol would not fall. Finally Buliwyf struck with the fatal blow and the mother wendol collapsed over dead. As Buliwyf turned around, the remaining warriors noticed a silver pin in his stomach that the mother wendol had stuck into him. As he pulled it out, a gush of blood came with it, and after being reassured of the slaves, horses and treasure he would be allowed to take into the afterlife, Buliwyf passed away. But the wendol came back. They knew of the Northmens leaders death and took advantage of the Northmens weakness. As Ibn put it â€Å"no words can describe the final attack of the wendol in the mist, no words will say what blood was spilled, what screams filled the thick air, what horses and horsemen died in hideous agony† After the day passed, and the devastation was taken care of, Ibn remained with the Northmen for several weeks. After a while he began to long for his homeland and told the Northmen of his situation. With a warm farewell the Northmen bade Ibn-Fadlan goodbye and sent him off to Baghdad, home at last. â€Å"Eaters of the Dead† was written in first person and was written in a positive manner. Even with all the death and destruction the tale had its good times. Ibn conquered many demons, including most of his own. He had good times with the Northmen and learned so much, it was a new experience and showed him a whole different point of view. The language in the book was very formal and a lot of good vocabulary words were used. Dialect was used in accordance with the Northmen tradition. The length of the book was just right, not to short or too long. It kept my interest the whole time. I think the book was well written and interesting. It had a lot of historical information but was extremely entertaining at the same time. I gained a better perspective on the way of life for a culture I never knew I would learn anything about. Though they were different from us, the Vikings had many good attributes to their society and it intrigued me to learn about them. English Essays